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The Revenge Of Hot Monday Linkage

March 24th, 2008 | 1 Comment | Posted in music

Musical tidbits from the internet which I almost, but didn’t quite, miss due to being a frantic traveler:

  • $300 audiophile-quality power cable turns out to be about $15 of shoddily put together components, after a music fans cat disemboweled his overpriced purchase. Hopefully you aren’t terribly surprised by this. The audiophile industry is one of the ripest categories of consumer goods for veblenification. (via Gizmodo and Audiojunkies)
  • The Yellow Drum Machine, a robot which you can build for $120 in parts which drives around finding objects to tap out a rhythm on, it records itself playing a beat and then plays along with the recording. You can even clap out a rhythm and it will play along at the tempo you’ve set. Videos included, natch. (via reddit and LetsMakeRobots)
  • The Scala Girls Choir (who apparently won the Belgian choir-of-the-year contest in 2000. Quite an accolade, that) covering “I Touch Myself” (via reddit)

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Newly Into Newark

March 23rd, 2008 | No Comments | Posted in non music

Hooray, back in the USA! Back to semi-reasonable internet access — even if right now I’m scrounging it off of my slightly aged cellphone whilst waiting for our final flight. Our holiday itinerary over the last week was as follows:

Last friday: Syracuse->Newark->London, mostly uneventful, thankfully.

Saturday: London->Cambridge for my stepfather’s birthday at one of the colleges. Got to see my sister again and observe snotty Oxbridge types punting on the rather rainy Cam. Spent a lot of the day recovering from jetlag, altough this was eased by (a) Europe not moving to DST yet and (b) reasonably large quantities of wine.

Sunday: Cambridge->London where sightseeing consisted of the British Museum, Covent Garden, lots of getting stuck in traffic due to the west end getting shut down because of St. Patrick’s day parades (which we ended up driving right next to in the opposite direction). We had a massive dinner at a delicious South Indian place behind Tottenham Court Road, sharing a tasting type arrangement that extended over our entire table and was far too large to finish. Incidentally it seems like southern Indian cuisine is the next big restaurant thing.

Monday: London->Sheffield. Showed G Oxford street, Regent Street, Leicester square, Trafalgar square (including popping into the National Gallery to admire Monet and others), Westminster, The London Eye and the enormous herds of people dressed up as statues on bankside, The Tate Modern for various pretentious but interesting modern art stuff. Then a drive at uncomfortably high speeds to Sheffield.

Tuesday: Sheffield. A day of relaxation in which me and G went on a seven mile hike over the moors. In the evening we discovered the delights of allergic fur reactions, and I got to sleep in a very makeshift bed on the floor in order to better keep an eye on my girlfriend’s respiratory reactions to the kitten’s hairy legacy.

Wednesday: Sheffield->Derby->Amsterdam. Experiencing the joy of the English transit system, which went pretty smoothly up to the point where we were supposed to catch the bus from the train station to Robin Hood Airport (Nottingham is rather obsessed with it’s mythological heritage) and it didn’t bloody come for about twenty years. Additionally, English airports have decided that you are only allowed one carry on bag, which must be nearly microscopic in size: a huge pain the arse. We managed to get to our charming little 1-star hotel just fine; ate another delicious tasting meal, Thai this time; smoked a little something and had a very thorough nights sleep.

Thursday: Amsterdam, wandering around to various architectural points of interest, especially Silodam. We also had a bit of a skip around the somewhat reduced Rijksmuseum. Haring and Patat for lunch. Ethiopian food for dinner, and delicious patisserie goodies shoved in there somewhere too.

Friday: Rotterdam, marveling at theĀ  much superior Dutch transport system. We visited the Architectural institute and some more buildings, but were somewhat distracted by the frigid conditions and rather rapidly ran back to the train station — but not before stopping into another delicious bakery to pick up some goodies for the ride back. Had the obligatory Rijstafel (another enormous tasting meal, Indonesian this time) after some drinks at a very gezellig dutch bar.

Saturday: Utrecht and Driebergen, doing the family rounds. Managed to see all my Cousins, My Aunt, My grandmother. Went to bed early to prepare for…

Today: And here we are in Newark! All in all a very, very busy but full and fun vacation. We are so not ready for work tomorrow morning.

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What I’ve Been Listening to Lately: Shostakovich 14

March 18th, 2008 | 2 Comments | Posted in classical music, shostakovich

One of the relatively few remaining late Shosty pieces which I had not yet up to this point had much exposure to is the 14th symphony. The reason for the lack of exposure was mostly because I had been put off by the operatic nature of it, which even still feels annoying and grandiose at times. The thing is, when I start to like pieces involving voice they seem to have become favorites (at least with Shostakovich: the Alex Blok and Marina Tsvetaeva poems, and the 13th symphony) but there is a rather large hurdle to getting into them still. (Resist… dorky analogy… ahh screw it: the activation energy is high even though the free energy change is large and negative. Euugh.)

For everyone else who hasn’t been exposed to it, it’s less of a symphony and more of a song cycle. It contains the setting to music of 11 poems all of which are rather not cheerily about death. Yes, classic depressed, sparsely orchestrated, uncertainly tonal late Shostakovich. Nice. It veers between moping, melancholy strings and astringent clanging chromaticism. Confusingly there are three different authorized versions of the piece, one in Russian, one in German, and one in the original languages (almost… “Loreley” is still in German) of the poems.

In fact, the high point of the cycle/symphony so far is Lorelei (or Loreley), which I incidentally hated at first. Here’s one of the best bits:

I’ll write about this movement a bit more in a few days probably, but at this point the heroine, Lorelei, is throwing herself off a cliff into the Rhine — and not too surprisingly this is the big climax of the song. I love how the frantic strings bubblingly warp into the tolling of the bell. Even better is the harmonization of voice and strings in the eerie section that follows, it’s smudged and not quite resolving, kind of creepily innocent. I know negative amounts of stuff about vocal techniques, but whatever the voice equivalent of glissando (sliding between notes) is sounds fantastic (quite literally) here.

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Londoning

March 16th, 2008 | No Comments | Posted in non music

Hi! We’re suffering from mostly a lack of internet availability right now due to spending a weeks worth of holiday time madly rushing around Britain and Holland. I am currently in a hotel on Tottenham Court Road in London, which being kinda businessy actually has free wireless. Hoorah! Yesterday we were in Cambridge for my stepfather’s 60th birthday celebrations. Tomorrow we will be in Sheffield. My feet are currently aching from traipsing around the British Museum and Covent Garden, and they will be receiving a hell of a lot more punishment in the coming days.

So far this trip is going a lot better than last time in which I spent two nights sleeping in airports (well, except the second time I gave up and got a hotel room) and also had my luggage lost for a week. It was all Delta’s fault. This time we had to get back off the connecting plane almost immediately after taxiing because of “visibility issues”, but as our next layover was four and a half hours long it didn’t really screw us up.

I also discovered that a fantastic method of avoiding jetlag is to get somewhat drunk. That way you can’t tell if your uncertainty and confusion is due to wine or not-sleeping. Well, it worked for me anyway…

Okay, time to choose a restaurant for tonight!

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The Future Was Yesterday!

March 12th, 2008 | No Comments | Posted in music, technology

Aha. My predictions are already well on the way to truthhood. In this spectacularly corporate video Melodyne show off how you can now twiddle around with individual notes in recorded music. Now they just need to populate a database with information about which chord sequences and structures are emotionally successful, and human editing is no longer needed to produce tomorrows cookie-cutter pop.

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Hoorah for technology! Sort of.

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