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Speaking of violin hero…

April 20th, 2008 | No Comments | Posted in classical music

Well, no sooner do I start blabbing on about violin hero, then up pops this cello hero style offering courtesy of the Berlin Philharmoniker. Your mission, should you choose to accept it, is to imitate the bow-strokes of “The Swan” using your mouse. It’s fun for about 20 seconds. What this really needs is some kind of fingering support, and the ability to do different sorts of stroke. It also needs a guitar hero type preview of what is coming up, rather than just that silly little arrow with no indication of speed.

cello_hero.png

Regardless of the flaws, I’m pretty sure playing this qualifies you to be a concert cellist.

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Violin Hero?

April 20th, 2008 | 4 Comments | Posted in classical music

Oh the weekend, how readily over you are.

This semester I’ve been trying well hard to avoid doing any work on Saturdays, and it’s glorious. Yesterday it was 28C (82F, for the Imperialists) so everyone gravitated toward the rather well holding up grill (it was the cheapest, cheerfullest model in the store five upstate-NY winters ago, and still going strong) for steak, spicy sausages, sangria and possibly other pieces of provender that start with “s.” Bocce-ball also sneaked/snuck out of it’s carrying-case.

After the sunset made the sun set, we all went to play one of the biggest computerized timesinks of the last couple of months: Karaoke Revolution. It’s like regular karaoke, except that your voice is getting analyzed in real-time, and the game indicates whether you are on or off pitch, and awards points accordingly. It is rather surprisingly fun, even for a someone who sucks at singing. Like me.

Unlike guitar hero (in which you “play” along to pieces using a glorified Fisher Price instrument with five buttons) this game actually encourages you to develop a real skill (and also makes you way less self-conscious about belting out a song in front of a group of people) albeit only somewhat, and not in a very organized sense.

This unorganization made us wonder whether there are any similar things in existence for learning a real instrument. Obviously not as a replacement for lessons, but as a supplement: software which presents sheet music and awards you points if you hit the right notes. It would be a like a beginner’s practice aid instead of a real tutor.

Since I haven’t had any lessons on an instrument for at least 13 years, I have no idea if computers have manged to weasel their way into the tutoring process like this. Has anybody come across something similar? If they don’t already exist, I can’t imagine it’ll be too long until something like this is created and sold, given the popularity of all these games at the moment.

Rock Band

(Comic from xkcd)

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Friends Don’t Let Friends Use iTunes

April 16th, 2008 | 6 Comments | Posted in mp3, music, portable audio

The subject of where to get one’s non-CD music from (because that’s the way we roll these days) has come up several times before. In the last edition Dennis commented on his surprise that more people hadn’t left the mostly still DRM encumbered and low quality lands of iTunes for the emerald pastures of Amazon (which offers 256Kbps audio, DRM free). Over at Electronista today they have a post on exactly that issue.

A recent industrial research survey by the NPD group shows that only 10% of Amazon’s users are converts from iTunes, and iTunes also only holds 6% of the total market share of music sales in the US (compared to 19% for iTunes, 15% for Wal-Mart and 13% for Best Buy) which is actually a decrease in relative market share from 6.7% last spring.

Maria commented last time that she though the average iTunes user probably was just buying a couple of songs they heard on the radio, and likely doesn’t care about 128Kbps bitrates. I think that’s bang on. The thing about Apple is that everyone and their mom recognizes the brandname instantly. I would hazard a pretty whopping guess that the majority of people do not distinguish between “iPod” and “MP3 player” or “online MP3 retailer” and “iTunes”, let alone caring about the difference between 128Kbps and 256Kbps or AAC vs. MP3. They just want to get a copy of “Soulja Boy” they can play on their pink iPod Nano.

In fact, since most of the music purchasing audience probably doesn’t give a crap about technical specifications at all, it’s not terribly surprising that more companies haven’t pushed ridiculously-high-quality (specifically, lossless) digital recordings. The increase in users this would attract versus the expenditure is probably negligible for outlets which make most of their money from mass-market sales.

On the other hand, this is probably why DG is very smart to have 320Kbps audio available. Classical listeners are stereotypically extremely concerned with audio quality, and a classical store offering higher quality recordings will poach a significant fraction of classical downloaders from other sources. I would guess the same is true for jazz as well, another genre with more than it’s fair share of audiophiles, but since I can’t stand jazz I dunno if there are any specialty high-quality retailers out there.
In the end, there has to be a financial incentive for a company to offer high quality recordings, and currently there is no widespread public demand for this. Joe Consumer is far more concerned with having a pretty interface than downloading DRM free music. I suspect this will only change when either Amazon becomes a real threat to iTunes, or when seamless transferral of music to relatively high quality reproduction systems (see: not listening through crappy earbuds) is commonplace. Or perhaps music will get dragged along with the demand for HD video transmissions.

Here’s to the day when we can download lossless HD music in glorious 50.1 surround sound. Until then I am pretty content with 320Kbps.

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Tuesday Metronomification

April 15th, 2008 | No Comments | Posted in classical music, youtube

Previously I had read about, but never actually seen Gyorgy Ligeti’s Poème Symphonique for 100 metronomes. Thanks to the modern marvel of YouTube, this is the case no more:

If the Wikipedia article on the piece is accurate they aren’t doing it quite according to directions, as they seem to use an automatic wire contraption jobby to start off all the little buggers almost simultaneously, instead of via 10 “performers.” I can’t decide if I prefer the idea of seeing ten people attempting to initiate them all, or the Rube Goldbergness of this design.

The music sounds like… well, exactly what you would expect 100 metronomes slightly out of sync in phase and frequency to sound like. If that floats your boat, you can download a 20 minute long version off of Amazon for $3. You’ll probably get basically the same sonic experience from sitting in a room full of people typing. I think it’s supposed to be more about how it makes you think about music than the music itself. Sort of meta-music.

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TAFTO

April 13th, 2008 | 1 Comment | Posted in classical music

My piece for Drew McManus’s Take A Friend To Orchestra month is up over at adaptistration!

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