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Frontotemporal Dementia In The Morning

April 9th, 2008 | 1 Comment | Posted in classical music

I walk in a maze and I talk in a daze… This morning involved waking up at the not very reasonable hour of 0415 in order to ship my girlfriend off to the bus station. Five hours to NYC, five hours back again with an ETA of about 1am. Driving back up again at that infidelic hour, watching the recycling trucks doing their duty in the not quite dawn, the radio was cranking out mad choonz: in this particular case, Bolero. This did not seem appropriate back then in the grey! Bolero is not morning music.

In fact, Bolero is surprisingly  not very classical sounding. It’s one of the few pieces which has a serious beat to it. I totally had not noticed this until blearily navigating back over the bridge this morning. Perhaps this is why it was one of the first classical pieces I remember having a bit of thing for, back in the heady days of primary school. One of our teachers (Mrs. Cook, I think. She was old and people were scared of her) liked to play something culturally significant when we were marching into assembly on Wednesdays. This one time she picked Bolero, and I distinctly remember her remark about how we were all marching in on that ante m., and also memorizing the name of the piece because I thought it was cool. That was… errr…. (calculate calculate) about twenty years ago. Good god I’m getting old and scary myself.

That made me start thinking about twentieth century music in general, and why it is particularly appealing to me, and whether that might be in part due to an increased use of percussion. Is there in fact an increased use of percussion? It’s something that I’ve never really been listening for, up until now with Bolero’s sneaky little suggestions in that direction. I’ll be keeping my ears open in a specific way for a bit from now on.

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Debatage

April 8th, 2008 | No Comments | Posted in classical music

Holy crap guys! ACD and I are currently up to 13 comments worth of argument on yesterdays post about blog rankings. He insists that the number of Google incoming links is “universally accepted as a measure of importance” and the others are fairly useless. I believe that the incoming links are considered “important” in the sense that this is what gives you a good placement in Google. It indicates how many other classical music bloggers are linking to you, but certainly does not tell you how objectively “important” a website is (and extra-certainly not universally so.)

Personally, the number of people reading what I write here is more important to me then the number of links I get, and I think that the Google Reader and Bloglines subscriber numbers give a fairly decent indication of this. ACD disagrees that the RSS numbers are at all useful and claims that the number of incoming links is the only statistically “clean” method.

So what do you guys think? Are RSS subscribers a useful metric to you, or do you prefer incoming Google links?

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Ranking Oversaturation

April 7th, 2008 | 20 Comments | Posted in classical music

There is a negative aspect to all of the blog ranking which has been going on here, and other places recently. I don’t think it’s too awful an effect, but it’s all just a tiny little bit cheapening, this who has the most popular blog malarkey. Maybe it’s just because my eyes have been exposed to too many of these lists in the last few days, but it feels just a little bit sad to see all of those numbers next to everyones efforts. There is something uncomfortable about quantifying the writing that people have put in pretty much purely because they are passionate about the subject.

Patty at Oboeinsight feels similarly, I think:

Sure, it’s fun to be able to see that some people read this little blog. But really, would I stop blogging if I didn’t make the list? Heck no.

Which I suspect is how almost everyone else either on or off the list feels. I hope so anyway. It’s sort of hard to divorce yourself from this where-am-I-placed type of attitude when the numbers are right in front of you though, and I confess that I will be vigorously scanning any more of these that are published to find my own little website amongst all the others.

I think it’s really important to treat these rankings as vaguely indicative, and not the be-all/end-all of anything. While it’s nice to have a measure of how far an outreach you have compared to others, it’s probably not a good thing to take it terribly seriously. Or at all seriously, in fact.

Perhaps I’m just feeling a little mopey and hypocritical on the cusp of another Monday.

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The Top 50 Classical Blogs, Using 4 Different Methods

April 5th, 2008 | 22 Comments | Posted in blogs, classical music

Some of you will probably have noticed that a couple of days ago ACD decided to release his own list of the 50 top classical music blogs (which incidentally should more properly be called the top 53, using his current dense-ranking method) based on the number of incoming links according to the god of the internet, Google. In the process he somewhat pissed off a few people, notably Scott over at Musical Perceptions who has been compiling his own rankings for the last couple of years (using the Technorati authority number) but whom ACD neglected to credit with prior art (there is a rather bitter exchange in the comments over at Musical Perceptions here). Also myself (though I’d say it’s irritated then pissed off) due to refusing to use the URL which everybody actually links to in their blogroll to determine the number of incoming links. However, it is his blog, his screening choices, his rankings list.

Well, it occurred to me that since I spend every day managing large chunks of data and automating stuff I could probably whip up a script which automatically calculates my own classical blog rankings, according to my own choices. So I did exactly that. There may be a couple of bugs still, if you find anything in error please let me know so I can patch it up. I was particularly interested in trying to perform this in the most scientific way possible, so I’ve used four distinct methods of ranking. There is the Google incoming links method (as ACD uses), the Technorati authority method (which Scott uses) but additionally I use Bloglines RSS feed subscribers (which Chris Foley did once) and a completely new method, which is the number of Google Reader subscribers.

Now, I’m considering this a bit of a beta-test since I probably missed a few blogs which should have been included (I tried to combine ACD’s list and the Musical Perceptions list, along with a bunch of others, the complete list I used is here, add yours if I’m missing it please!) and there might be a couple of mistakes. While the program I use obviously has a larger chance of having a bug then a human does (depending upon caffeine ingested), the huge advantage is that it only takes around five minutes to collect and analyze all the data for about 100 blogs. What I’d like is for people to suggest improvements, for example, should I combine the results together to produce a super-ranking? Should I combine the RSS feed data with the Technorati authority to give a “current readership” number? If people are interested I’ll polish it up and analyze it differently.

So without further ado, here are the “top” 50 blogs as of yesterday using four different ranking methods, the first number next to each blog is it’s rank, the number in parentheses is the total number of subscribers, number of incoming links, etc.

Google Reader Subscriptions

1 (946) The Rest is Noise
2 (168) Sequenza21
3 (162) Think Denk
4 (161) Jessica Duchen’s Classical Music Blog
5 (140) Dial “”M”" for Musicology
6 (134) About Last Night
7 (127) Opera Chic
7 (127) Terminal Degree
9 (117) Musical Perceptions
10 (110) Ionarts
11 (105) Chicago Classical Music
12 (97) The Rambler
13 (93) Soho the Dog
14 (76) ANABlog
15 (72) Classical Music
16 (65) Aworks
17 (60) Sounds & Fury
18 (53) Deceptively Simple
19 (49) The Standing Room
20 (48) Slipped Disc
21 (47) The Concert
21 (47) CSO Bass Blog
23 (46) The Collaborative Piano Blog
24 (44) Parterre Box
25 (40) A View from the Podium
26 (37) Renewable Music
27 (34) Wolf Trap Opera
28 (33) The Iron Tongue of Midnight
28 (33) Musical Assumptions
28 (33) My Favorite Intermissions
31 (29) Sieglinde’s Diaries
31 (29) On a Pacific Aisle
33 (28) Mostly Opera
34 (27) Thirteen Ways
35 (26) Oboeinsight
35 (26) The Well-Tempered Blog
35 (26) An Unamplified Voice
38 (25) Mad Musings of Me
39 (24) Sandow
40 (23) PostClassic
41 (22) Daily Observations
41 (22) Classical Convert
41 (22) Felsenmusick
44 (20) On an Overgrown Path
44 (20) Prima La Musica poi le parole
44 (20) Roger Bourland
47 (17) Mmmusing
48 (16) Jason Heath’s Double Bass Blog
48 (16) The Omniscient Mussel
48 (16) Wellsung

Technorati Authority

1 (775) Sequenza21
2 (699) The Rest is Noise
3 (266) About Last Night
4 (160) Opera Chic
5 (133) Violinist Diaries
6 (129) PostClassic
7 (121) Ionarts
8 (109) Night after Night
9 (108) Think Denk
9 (108) Parterre Box
11 (107) Sandow
12 (97) Jason Heath’s Double Bass Blog
13 (90) Soho the Dog
14 (88) Jessica Duchen’s Classical Music Blog
15 (87) Adaptistration
16 (85) Dial “”M”" for Musicology
17 (82) Deceptively Simple
18 (81) Musical Perceptions
19 (75) The Collaborative Piano Blog
20 (67) Sounds & Fury
21 (66) On an Overgrown Path
21 (66) The Rambler
23 (64) The Standing Room
24 (58) The Concert
24 (58) Oboeinsight
24 (58) Roger Bourland
27 (54) Mostly Opera
28 (51) The Iron Tongue of Midnight
29 (43) Renewable Music
30 (42) Sieglinde’s Diaries
31 (40) Aworks
31 (40) A View from the Podium
31 (40) Musical Assumptions
34 (38) CSO Bass Blog
35 (36) Chicago Classical Music
35 (36) Thirteen Ways
37 (35) Mad Musings of Me
37 (35) My Favorite Intermissions
39 (33) Wolf Trap Opera
40 (32) Daily Observations
41 (30) Terminal Degree
41 (30) ANABlog
41 (30) Classical In Seattle
44 (29) The Well-Tempered Blog
45 (27) Classical Music
45 (27) Classical Convert
47 (24) A Monk’s Musical Musings
48 (23) An Unamplified Voice
48 (23) On a Pacific Aisle
48 (23) Prima La Musica poi le parole
48 (23) The Omniscient Mussel

Google Incoming Links

1 (7670) About Last Night
2 (6910) The Rest is Noise
3 (3590) On an Overgrown Path
4 (3080) PostClassic
5 (2830) Ionarts
6 (2800) Sequenza21
7 (2790) Sounds & Fury
8 (2780) Jessica Duchen’s Classical Music Blog
9 (2600) Sandow
9 (2600) Night after Night
11 (2220) An Unamplified Voice
12 (2210) Mad Musings of Me
13 (2100) Classical Music
14 (1940) Musical Perceptions
15 (1900) The Iron Tongue of Midnight
16 (1680) The Concert
17 (1660) The Standing Room
18 (1620) Soho the Dog
19 (1550) Opera Chic
20 (1480) Parterre Box
21 (1420) Vilaine fille
22 (1410) Think Denk
23 (1380) Aworks
23 (1380) On The Record
25 (1370) Oboeinsight
26 (1360) Deceptively Simple
27 (1260) ANABlog
28 (1200) The Rambler
29 (1180) Dial “”M”" for Musicology
30 (1110) Slipped Disc
31 (1100) The Well-Tempered Blog
32 (1090) Sieglinde’s Diaries
32 (1090) Violinist Diaries
34 (1080) Mostly Opera
34 (1080) Twang Twang Twang
36 (969) Terminal Degree
37 (966) Prima La Musica poi le parole
38 (956) Jason Heath’s Double Bass Blog
39 (800) Musical Assumptions
40 (763) Wellsung
41 (761) Thirteen Ways
42 (747) Roger Bourland
43 (739) Renewable Music
44 (697) A View from the Podium
45 (680) My Favorite Intermissions
46 (672) Felsenmusick
47 (633) Intermezzo
48 (625) Adaptistration
49 (554) Daily Observations
50 (532) Out West Arts

Bloglines Subscribers

1 (301) About Last Night
2 (299) The Rest is Noise
3 (97) PostClassic
4 (84) On an Overgrown Path
5 (81) Jessica Duchen’s Classical Music Blog
6 (80) Ionarts
7 (78) Sandow
8 (73) Opera Chic
9 (70) Night after Night
10 (62) Terminal Degree
11 (54) Dial “”M”" for Musicology
12 (50) Sequenza21
12 (50) Musical Perceptions
12 (50) ANABlog
15 (49) Think Denk
16 (44) Sounds & Fury
17 (43) The Concert
18 (42) The Well-Tempered Blog
19 (41) Mad Musings of Me
19 (41) Aworks
21 (40) The Iron Tongue of Midnight
21 (40) The Standing Room
23 (36) The Rambler
23 (36) Classical In Seattle
23 (36) The Short Road to Nirvana
26 (32) An Unamplified Voice
27 (31) Deceptively Simple
27 (31) On a Pacific Aisle
29 (29) Sieglinde’s Diaries
30 (28) Parterre Box
30 (28) The Collaborative Piano Blog
32 (25) Soho the Dog
33 (24) Vilaine fille
33 (24) Wellsung
33 (24) CSO Bass Blog
36 (23) My Favorite Intermissions
37 (22) Slipped Disc
37 (22) Chicago Classical Music
39 (21) On The Record
39 (21) Prima La Musica poi le parole
41 (20) Twang Twang Twang
42 (19) Renewable Music
43 (18) Classical Music
44 (17) Thirteen Ways
44 (17) Felsenmusick
46 (14) Mysteries Abysmal
47 (13) Roger Bourland
48 (12) Mostly Opera
48 (12) Jason Heath’s Double Bass Blog
48 (12) A View from the Podium
48 (12) Classical Convert

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Blogs Used For Calculating Rankings

April 5th, 2008 | 5 Comments | Posted in blogs, classical music

These are the blogs I have used for calculating the top 50 classical music blogs with, if yours isn’t on here and should be, stick it in the comments.

A View from the Podium
About Last Night
Adaptistration
ANABlog
An Unamplified Voice
Aworks
Chicago Classical Music
Classical Convert
Classical In Seattle
Classical Music Blog
CSO Bass Blog
Daily Observations
Deceptively Simple
Dial “M” for Musicology
Edwin Outwater
Fandango: Homo Camp
Felsenmusick
Holde Kunst
Intermezzo
Ionarts
Jason Heath’s Double Bass Blog
Jessica Duchen’s Classical Music Blog
Letter V
Life of A Musician
Mad Musings of Me
Mahler Owes Me Ten Bucks
Maria’s Music
Miss Music Nerd
Mmmusing
Most Of The Shebang
Mostly Music in the Midlands
Mostly Opera
Musical Assumptions
Musical Perceptions
My Favorite Intermissions
Mysteries Abysmal
Night after Night
NYC Opera Fanatic
Oboeinsight
On a Pacific Aisle
On an Overgrown Path
On The Record
Opera Chic
Out West Arts
Parterre Box
PostClassic
Prima La Musica poi le parole
Renewable Music
Roger Bourland
Sandow
Sequenza21
Sieglinde’s Diaries
Slipped Disc
Soho the Dog
Sounds & Fury
Sounds Like Now
Terminal Degree
The Collaborative Piano Blog
The Concert
The Iron Tongue of Midnight
The Omniscient Mussel
The Penitent Wagnerite
The Rambler
The Rest is Noise
The Short Road to Nirvana
The Standing Room
The Well-Tempered Blog
Think Denk
Thirteen Ways
Twang Twang Twang
Vilaine fille
Violinist Diaries
WagnerBlog
Wellsung
Wolf Trap Opera

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