Saint-Saëns and Cell Biology, and How I Got Into Classical
One of the most exciting things about this updated version of Wordpress is that you can bring up a fancy little character-map type deal, so as to easily insert all those wild decorated characters. Like that one up there, perched on the title line. Seriously, inserting that character was basically the most exciting thing that has happened to me in the last hour and a half, due to studying. Oh studying. How you tease me with your frequent absence, but inevitable recovery.
To make matters more bearable I completely pumped up the key, the gate, the music which got me into the world of classical in the first place. Which, you may not too cunningly have guessed, is by Mister Camille Saint-Saëns. Necessary umlaut guy.
The piece in question is his piano concerto number two. It was this piece, which, just beyond four years ago during the epic emotional crisis and mess of my first year in graduate school, grabbed on to me. That was the entry, the accidental engagement. It was innocently serving as background music due to being one of the few classical CDs I owned (all of which were purchased as one of those 3 for fifteen quid deals) and was on repeat to save me from getting up from my work/self-pity. All of a sudden — and it truly was suddenly — a melody existed which through all the previous listens had not.
It was the one after the intro in the first movement. From there I worked through that movement, listening over and over again. Then to the excitable, driving third. The second sounded way too tinkly and pretty back then, although I like it loads now. Inspired, I bought a set of all five of the piano concertos.
That’s how it all began for me. And that’s the end of story-time for tonight.
a decent rendition of Strawberry Fields Forever. Aside from that, and (in hindsight a pretty abortive) attempt to take classical guitar lessons when I really was a young kid, that’s almost all of the musical experience I have.