On The Pitch
I wish I could tell what note the ceiling was playing when people in the apartment upstairs make the floor hum:
Unbrokenup Beethoven
Now I’m not *exactly* the first to find these — 870,083 happy campers got their noses in before I did — but the novelty of full-length classical music vids has yet to wear thin. Here’s symphony No. 6 ‘Pastoral’:
And dancey No. 7:
And No. 4:
And the in-betweeney No. 8:
There are also some chopped ones:
And the two everyone kinda ignores:
Hoorah! Beethoven symphonies for everyone!
Terzetto
This was on NPR during one of my beloved musical-accompaniments to falling asleep on top of the duvet a few weeks ago. In the interim period between over-then and over-now it had been sitting around as a note in my phone, quickly keyboarded out before all the sleepiness slipped away. Despite a total wipe of my phone, and a huge amount of hauling and installing furniture, my little nighttime notation managed to shove itself back into attention a couple of days ago: “dvorak terzetto”.
Dvorak I’ve never been crazy about. He seems too suspiciously late romantic. This is sneakily chromatic, though. It’s got some crunchy off-key sections. It reminds me a bit of the late Beethoven quartets. It’s also got a pretty sweet name — turns out a terzetto is like a trio, except instead of the plain-salted violin/viola/cello it’s configured violin/violin/viola. Which is, uhhh, pretty awesome I guess. I was hoping for a definition involving giant metal dinosaurs or something, but two violins is cool too.
The L.A. Phil. have liner notes about the piece here. And there are like ten different version on eMusic.
Moved
Ok! I’ve got internet dripping off of my eyelids again. I’ve got music streaming wirelessly from the ‘office’ aka ‘north wing’ aka ‘disaster recovery zone’ into the living room, courtesy of the software titan we love to hate: Microsoft. Yeah, I’ve been a hardcore free-software lovin’ flower child for the last ten years, but now that there is an XBox sitting underneath the TV it requires about three clicks and a few wireless password entries to get everything pumped out there. It makes me feel dirty, but it works so nicely.
Unfortunately it makes you feel that MP3/Classical culture clash like BAM.
Still, we had piping hot, fresh Saint-Saens plummeting into the room during our introductory househeating meal of eggplant parmesan and freshly picked cherry pie. Good old Saint-Saens. He’s the bloke that got me into the genre. We were actually listening to the very piece that did the dirty, the 2nd piano concerto:
But the one I really like is the 4th. Anyone got any hot youtubings of that one? It’s so sparse, I love it. It’s like Shostakovich CC2 (another fave), in that there are rarely lots of groups of instruments playing at once. I remember intially thinking “what a waste of an orchestra!”, like if you’re paying ‘em all to sit there playing you wanna get the most bang for your buck. Everyone, full blast, all the time. Now I relish these unpopulated pieces. They’re pensive, cautious. The phrasing is more like equations in a quantum mechanics textbook than the bloody emissions of a sore heart.
Madécasses
I heard these on NPR last night, and for a few minutes thought they might be late Shostakovich songs that I hadn’t heard before:
It turns out they are by Ravel. They are the chansons madécasses. It’s the sparse orchestration and off-white tonality which reminded me of late Shosty — but these dudes are from the 1920s instead of the 1960s.
This was the the first time I had listened to anything by Ravel since a certain wannabe love interest tried (and failed) to get me pumped up about the rapsodie espagnole.